From: "William F. Adams" <wadams@atlis.com>
Subject: Re: Old-style figures throughout the document
Date: Wed, 27 Apr 2005 09:58:30 -0400 [thread overview]
Message-ID: <4e7d46a04ea0362d5a86ee82b60cc617@atlis.com> (raw)
In-Reply-To: <20050427123333.GF6221@cebitec.uni-bielefeld.de>
Idris asked me about this during the previous thread, before I'd joined
this list.
Here's a slightly edited version of my reply about osf in documents
with math:
Well, I did the second-pass macros, and most of the math markup /
editing of a recent translation of Thomas Harriot's _Artis Analyticae
Praxis_ from 1631 or so, and it (of course) uses old style figures
exclusively, pre-dating them, as would any mathematics (or other) text
before the latter part of the 19th century.
Old-style figures are named thusly since the now standard alternative
lining figures are a fairly recent invention --- a Victorian (some
would say debased) convention born out of expedience and a desire for
better looking tabular material --- many railed against them, Charles
Babbage being a notable example of the opposition to them (noting that
in tables of logarithms, when used in difficult circumstances (I
believe the example was an artillery officer doing ballistic
calculations) absolute unambiguous representation could be a matter of
life and death and that the extra differentiation provided by ascenders
and descenders in numbers was highly desirable --- can't recall if Dr.
Asaf Degani revisited this with his NASA reports on typography or no
--- if not, he should've).
Bringhurst's prescription (in his _Elements of Typographic Style) is
perhaps a bit simplistic and doesn't acknowledge the typographical
palette which has since become readily available in newer fonts
(Hoefler Text in Mac OS X for example affords one proportional lining
figures, monospaced lining figures, proportional old-style figures and
lining old-style figures --- a text typeface I've been working on goes
this even better, adding three-quarter height proportional and
monospaced figures, and French versions of the old-style figure
versions as well).
Bringhurst's rule 3.2.3 would seem a better arbiter, ``Refer
typographical disputes to the higher courts of speech and thinking.''.
Knuth, in ``Typesetting Concrete Mathematics'' (_Digital Typography_,
pg. 369) has a cogent observation when he writes, ``This experience
proved to be worthwhile because it taught me that there is a useful and
meaningful distinction between text numerals and mathematical
numbers.''
There's been some discussion of old-style figures for mathematics on
comp.text.tex, but I don't think any absolute statement could
reasonably be made. It's certainly valid that using lining figures for
mathematics does provide a useful distinction (and it also greatly
eases typographic issues such as the placement of super and
sub-scripts), but the counter-argument that mathematics is a valid
textual discussion form is certainly appropriate as well.
Arguably this would be a good place to use Bruce Roger's ``allusive
typography'' principle. Anything set in a design more recent than
Baskerville should use of lining figures in the absence of a reason
not, while older texts could consider the use of old-style figures if
concerns such as super and sub script placement can be worked out. But
perhaps even that's too simplistic and formulaic.
A far more productive thing probably would be to look at actual sample
pages to consider things in context (sorry, couldn't resist the pun).
Anyway, I hope this helps somewhat and is of use in your consideration.
William
--
William Adams, publishing specialist
voice - 717-731-6707 | Fax - 717-731-6708
www.atlis.com
prev parent reply other threads:[~2005-04-27 13:58 UTC|newest]
Thread overview: 7+ messages / expand[flat|nested] mbox.gz Atom feed top
2005-04-27 11:52 varheit
2005-04-27 12:33 ` Eckhart Guthöhrlein
2005-04-27 13:33 ` Viktor Varheit
2005-04-27 22:12 ` Adam Lindsay
2005-04-28 7:52 ` Eckhart Guthöhrlein
2005-04-28 12:35 ` Adam Lindsay
2005-04-27 13:58 ` William F. Adams [this message]
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