From: andrea valle <valle@di.unito.it>
Subject: Re: lilypond inclusion + pdf crop
Date: Sat, 17 Sep 2005 15:23:27 +0200 [thread overview]
Message-ID: <e1b8488f7492c860bdf168a3af5573fc@di.unito.it> (raw)
In-Reply-To: <432BFD4B.1020004@creutzig.de>
Sorry if it seemed exoteric, but my idea was simply to show some
typographical results, not to present a composition (an argument surely
OT).
The idea is that the performer (a pianist, even if notation is generic)
choose a starting point, execute the notation in the chosen vertex,
choose an edge, wait for the duration indicated in the label on the
edge, and executed the reached vertex. Duration is ad libitum.
All the compositional parameters change in relation to space position
of each vertex. So it's like exploring different sound spaces (in the
geographic sense) with specific morphologies.
I use a slightly more advanced system typically for electronic
composition (here there's a paper in case of interest:
www.di.unito.it/~vincenzo/drafts/Valle-Lombardo-CIM03.pdf).
This is the general structure, then each piece has different, specific,
particularities both in terms of mapping, either in terms of
performance instructions (e.g. in nodi-II there's no duration
indicated in the vertices, the way one "waits" for the duration of edge
label change between the two pieces, etc.).
Typically I score out the result of a system run. In this case, I want
to experiment with the collaboration of my friend pianist, who is a
very good musician in the broadest sense. The pieces are very open in
some sense, but in other are very "close".
-a-
On 17 Sep 2005, at 13:26, Christopher Creutzig wrote:
> Hans Hagen wrote:
>> andrea valle wrote:
>>
>>>
>>> Here are two of the resulting scores (not totally finished yet)
>>> www.semiotiche.it/andrea/membrana/nodi-I.pdf
>>> www.semiotiche.it/andrea/membrana/nodi-II.pdf
>>>
>>> and one of the context file
>>> www.semiotiche.it/andrea/membrana/nodi-I.tex
>>
>>
>> impressive
>
> I agree (from the optical point of view), but could you include a
> short
> English explanation about which paths may be followed, what their
> labels
> mean, if the position of the fragments conveys information, how many
> instruments are playing at once etc.? I'm afraid I simply don't
> understand the notation as is.
>
>
> Christopher
> _______________________________________________
> ntg-context mailing list
> ntg-context@ntg.nl
> http://www.ntg.nl/mailman/listinfo/ntg-context
>
>
Andrea Valle
Laboratorio multimediale "G. Quazza"
Facoltà di Scienze della Formazione
Università degli Studi di Torino
andrea.valle@unito.it
next prev parent reply other threads:[~2005-09-17 13:23 UTC|newest]
Thread overview: 34+ messages / expand[flat|nested] mbox.gz Atom feed top
2005-09-15 9:49 lilypond inclusion Christopher Creutzig
2005-09-15 10:35 ` Hans Hagen
2005-09-15 13:07 ` Christopher Creutzig
2005-09-15 13:53 ` Hans Hagen
2005-09-15 14:34 ` Henning Hraban Ramm
2005-09-15 21:00 ` andrea valle
2005-09-16 0:37 ` Henning Hraban Ramm
2005-09-16 14:13 ` lilypond inclusion + pdf crop andrea valle
2005-09-16 15:25 ` [OT] " luigi.scarso
2005-09-16 15:29 ` Hans Hagen
2005-09-16 17:18 ` Willi Egger
2005-09-16 21:08 ` andrea valle
2005-09-18 19:38 ` Hans Hagen
2005-09-19 9:51 ` Taco Hoekwater
2005-09-17 11:26 ` Christopher Creutzig
2005-09-17 13:23 ` andrea valle [this message]
2005-09-16 16:23 ` lilypond inclusion + pdf crop (getting off-topic) Adam Lindsay
2005-09-16 17:37 ` Hans Hagen
2005-09-17 9:28 ` Re[2]: " Giuseppe Bilotta
2005-09-18 18:23 ` Hans Hagen
2005-09-18 19:19 ` Re[2]: " Giuseppe Bilotta
2005-09-16 15:40 ` lilypond inclusion Christopher Creutzig
2005-09-16 16:10 ` andrea valle
2005-09-16 15:42 ` Christopher Creutzig
2005-09-16 16:39 ` Patrick Gundlach
2005-09-16 16:56 ` Mojca Miklavec
2005-09-16 17:45 ` Hans Hagen
2005-09-16 18:51 ` Christopher Creutzig
2005-09-16 19:20 ` Mojca Miklavec
2005-09-16 19:45 ` Hans Hagen
2005-09-16 20:25 ` Mojca Miklavec
2005-09-18 18:07 ` Hans Hagen
2005-09-16 20:46 ` Christopher Creutzig
2005-09-18 18:09 ` Hans Hagen
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